Toutes peintures ā l'huile d'Constantin Hansen
ID Image Painting(From A to Z)    Details 
59229  
Constantin Hansen, A company of Danish artists in Rome
  		 A company of Danish artists in Rome   A company of Danish artists in Rome, 1837
1522  
Constantin Hansen, A Group of Danish Artists in Rome
  		 A Group of Danish Artists in Rome   1837 Statens Museum for Kunst, Copenhagen
59230  
Constantin Hansen, Hvilende Model
  		 Hvilende Model   Hvilende Model, 1839
1524  
Constantin Hansen, Kronborg Castle
  		 Kronborg Castle   1834 Statens Museum for Kunst, Copenhagen
1525  
Constantin Hansen, Little Girl with a Cup
  		 Little Girl with a Cup   1850 Statens Museum for Kunst, Copenhagen
73481  
Constantin Hansen, Oehlenschlaeger and Tegner
  		 Oehlenschlaeger and Tegner   Date 1866(1866) Medium Oil painting cyf
1526  
Constantin Hansen, Portrait of Caroline Sophie Moller
  		 Portrait of Caroline Sophie Moller   1830 Statens Museum for Kunst, Copenhagen
72004  
Constantin Hansen, Tegner bekransar Oehlenschlager i Lunds domkyrka
  		 Tegner bekransar Oehlenschlager i Lunds domkyrka   Tegner bekransar Oehlenschlager i Lunds domkyrka 1829
41538  
Constantin Hansen, The Artist-s Sisters
  		 The Artist-s Sisters   mk164 1826 Nordiska Museet Stockholm
1523  
Constantin Hansen, Three Young Girls
  		 Three Young Girls   (The Artist's Sisters Alvide, Ida and Henriette) 1827 Statens Museum for Kunst, Copenhagen
Constantin Hansen
Danish 1804-1880 Constantin Hansen Galleries Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.



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